YELLOW SPIDER
Surface to Air
Burning a Haunted House
Ultra-Violet Thing
Juxtaposed Parallax
Yellow Spider
The Third Wave
Shutdown Your Electronic Hallucinations
Burning a Haunted House
Ultra-Violet Thing
Juxtaposed Parallax
Yellow Spider
The Third Wave
Shutdown Your Electronic Hallucinations
Release date: July 13, 2018
SHIPPING: $6 - TO THE UNITED STATES ONLY.
Primal Music Blog, Ireland
The ever prolific São Paulo-based trio of ‘Firefriend’ continue to plough a deep sonic furrow in today’s modern psych firmament. With a plethora of releases since 2009 it comes as no surprise at all to us that these guys show no signs of slowing down anytime soon. Their latest release entitled ‘Yellow Spider’ oozes the same sonic brilliance witnessed on this years previously released (April 2018) long player ‘Sulfur’, diving headlong into slow burning psych melded with hazy passages of shoegaze, but there are also subtle signs of a more noisier, up-tempo approach creeping in to the bands sonic arsenal that is very refreshing. (...) Swirling instrumental drones, rattling percussion and an immense bass line collectively announces the arrival of track one ‘Surface To Air’. There’s a magnificent atmospheric pull to this track, a slow burning slice of modern psychgaze centred around a whirring drone that holds everything together thus allowing those howling vocalisations to float in a sea of reverb intertwined at times by the growl of guitar. ‘Surface To Air’ is a mesmerizing lysergic dipped sonic melee and a wonderful opening salvo. Up next, ‘Burning A Haunted House’ swerves into audible range strapped to a slow-moving wall of percussion and a massive wave of sonic energy. Menacing lines of vocal meander and creep through fuzzy layers of hypnotic drones as screaming clouds of feedback pepper the track to within an inch of its life. There’s a hypnotic melody here, a kind of lingering sonic addictiveness that is very hard to shake off making it one of the standout tracks on this entire release. ‘Ultra Violet Thing’ groans into existence on a woozy wave of angry guitar as bouncing lines of bass and tumbling drones merge into one almighty sonic barrage. Somewhere in the mix there is room for a distant vocal in amongst all of that electronic wizardry and those deep-rooted psychedelic incantations. And listen out for that immense finale; it’ll completely floor you. ‘Juxtaposed Parallax’ & ‘Yellow Spider’ are reminiscent of early Sonic Youth with jangling guitars, busy percussion and the luscious addictiveness of the vocal with the latter upping the tempo a little bit more, injecting a layer of stinging fuzz into the mix to accompany those long passages of turbulent noise whilst ‘The Third Wave’, the albums penultimate piece, dives headlong into a pool of hallucinogenic reverberation pulling with it slow-moving percussion and haunting vocalisations (reminiscent of the fantastic Velvet Underground & Nico) before splashing into the fizzing feedback-laden melting pot. ‘Yellow Spider’ closes out with a seven minute long psychedelic trip. ‘Shutdown Your Electronic Hallucinations’ opens with some fanciful guitar steeped in wide scoped reverberation, used primarily to lull the listener into a false sense of security before unleashing a repetitive guitar progression, metronomic rhythms and some undulating swells of instrumentation all circumnavigating a stunning vocal line topped with a haunting vocalised accompaniment. Yes ….. I have just used a heap of superlatives to explain what this track sounds like; but it is that bloody good. It’s a superb ending to what is a marvellous album
The ever prolific São Paulo-based trio of ‘Firefriend’ continue to plough a deep sonic furrow in today’s modern psych firmament. With a plethora of releases since 2009 it comes as no surprise at all to us that these guys show no signs of slowing down anytime soon. Their latest release entitled ‘Yellow Spider’ oozes the same sonic brilliance witnessed on this years previously released (April 2018) long player ‘Sulfur’, diving headlong into slow burning psych melded with hazy passages of shoegaze, but there are also subtle signs of a more noisier, up-tempo approach creeping in to the bands sonic arsenal that is very refreshing. (...) Swirling instrumental drones, rattling percussion and an immense bass line collectively announces the arrival of track one ‘Surface To Air’. There’s a magnificent atmospheric pull to this track, a slow burning slice of modern psychgaze centred around a whirring drone that holds everything together thus allowing those howling vocalisations to float in a sea of reverb intertwined at times by the growl of guitar. ‘Surface To Air’ is a mesmerizing lysergic dipped sonic melee and a wonderful opening salvo. Up next, ‘Burning A Haunted House’ swerves into audible range strapped to a slow-moving wall of percussion and a massive wave of sonic energy. Menacing lines of vocal meander and creep through fuzzy layers of hypnotic drones as screaming clouds of feedback pepper the track to within an inch of its life. There’s a hypnotic melody here, a kind of lingering sonic addictiveness that is very hard to shake off making it one of the standout tracks on this entire release. ‘Ultra Violet Thing’ groans into existence on a woozy wave of angry guitar as bouncing lines of bass and tumbling drones merge into one almighty sonic barrage. Somewhere in the mix there is room for a distant vocal in amongst all of that electronic wizardry and those deep-rooted psychedelic incantations. And listen out for that immense finale; it’ll completely floor you. ‘Juxtaposed Parallax’ & ‘Yellow Spider’ are reminiscent of early Sonic Youth with jangling guitars, busy percussion and the luscious addictiveness of the vocal with the latter upping the tempo a little bit more, injecting a layer of stinging fuzz into the mix to accompany those long passages of turbulent noise whilst ‘The Third Wave’, the albums penultimate piece, dives headlong into a pool of hallucinogenic reverberation pulling with it slow-moving percussion and haunting vocalisations (reminiscent of the fantastic Velvet Underground & Nico) before splashing into the fizzing feedback-laden melting pot. ‘Yellow Spider’ closes out with a seven minute long psychedelic trip. ‘Shutdown Your Electronic Hallucinations’ opens with some fanciful guitar steeped in wide scoped reverberation, used primarily to lull the listener into a false sense of security before unleashing a repetitive guitar progression, metronomic rhythms and some undulating swells of instrumentation all circumnavigating a stunning vocal line topped with a haunting vocalised accompaniment. Yes ….. I have just used a heap of superlatives to explain what this track sounds like; but it is that bloody good. It’s a superb ending to what is a marvellous album
SIC magazine, Brussels/UK/USA
https://www.sicmagazine.net/13421/firefriend-yellow-spider/
Pity São Paulo band Firefriend, who’ve been at it for over a decade and whose waves of superlative psych-gaze are only now reaching Europe’s judgemental shores. Yellow Spider is the prolific three-piece’s second LP in just over a year, however, and as usual it’s full to overflowing with fuzz, textural to the point of being tactile. Lashings of tremulous reverb once more throw up mirages so real you just want to dive right into these oases, but these are both fertile and dark conjurings. Consequently, Firefriend continue to take as much from Sonic Youth as they do traditional psych-rock, experimental ambience rubbing shoulders with the woozy guitars of shoegaze at times too. The result, as regular listeners will already know, translates their trademark stoned slow-burn into something quite special, the varied directions it leads them to incorporating spacey psych motifs and harder-edged head-nodding as well. Alternating also between Yury Hermuche’s straining lost-down-a-well snarl and Julia Grassetti’s soothing coo, Yellow Spider is truly difficult to predict from one moment to the next. Take the smouldering “Juxtaposed Parallax”, for example, the gently persuasive mumblings in which recall The Brian Jonestown Massacre and The Velvet Underground’s most heavy-lidded moments. Who’d have guessed that just a few seconds later, on the fuzzed-out title-track, that we’d be talking about the atmospheric New York-school of cool guitars, Grassetti’s dangerous vocal particularly alluring in such surroundings. Not to be outdone, Hermuche embraces a partially doomed tone to narrate the epic closer “Shutdown Your Electronic Hallucinations” in drawling prose, the track’s mid-fi fug spooling out majestically as it sees fit, tightening when cornered, and – just for a minute – Yellow Spider’s outsider cool coalesces to the point where you begin to feel like an insider.
https://www.sicmagazine.net/13421/firefriend-yellow-spider/
Pity São Paulo band Firefriend, who’ve been at it for over a decade and whose waves of superlative psych-gaze are only now reaching Europe’s judgemental shores. Yellow Spider is the prolific three-piece’s second LP in just over a year, however, and as usual it’s full to overflowing with fuzz, textural to the point of being tactile. Lashings of tremulous reverb once more throw up mirages so real you just want to dive right into these oases, but these are both fertile and dark conjurings. Consequently, Firefriend continue to take as much from Sonic Youth as they do traditional psych-rock, experimental ambience rubbing shoulders with the woozy guitars of shoegaze at times too. The result, as regular listeners will already know, translates their trademark stoned slow-burn into something quite special, the varied directions it leads them to incorporating spacey psych motifs and harder-edged head-nodding as well. Alternating also between Yury Hermuche’s straining lost-down-a-well snarl and Julia Grassetti’s soothing coo, Yellow Spider is truly difficult to predict from one moment to the next. Take the smouldering “Juxtaposed Parallax”, for example, the gently persuasive mumblings in which recall The Brian Jonestown Massacre and The Velvet Underground’s most heavy-lidded moments. Who’d have guessed that just a few seconds later, on the fuzzed-out title-track, that we’d be talking about the atmospheric New York-school of cool guitars, Grassetti’s dangerous vocal particularly alluring in such surroundings. Not to be outdone, Hermuche embraces a partially doomed tone to narrate the epic closer “Shutdown Your Electronic Hallucinations” in drawling prose, the track’s mid-fi fug spooling out majestically as it sees fit, tightening when cornered, and – just for a minute – Yellow Spider’s outsider cool coalesces to the point where you begin to feel like an insider.
Kev Drummond, UK
Manchester. London. New York. Berlin. All cities that we associate with having rich and varied musical histories and influences. They are all cultural melting pots of cities that have spawned some of the greatest bands of all time.
As a lover of the kind of music that is never going to be called mainstream, I stumbled across a band going by the name of Firefriend. As I listened to their music, I heard the typical influences, the likes of Joy Division, The Sex Pistols, Velvet Underground & The Jesus And Mary Chain. Nothing out of the ordinary there, I thought. Great band, cool sounds.
I became a little more interested, as you do, and found the band hailed from São Paulo, Brazil of all places. This is where my mind struggled somewhat. Brazil. I ask anyone to give me an image of the country and it will be Copacabana Beach, the Amazon, the 1970 World Cup team (best team ever to take to a football pitch!), the Samba, or Christ the Redeemer. Even the favelas. Not a brand of shoegaze psych that sounds like it came from a disused factory in the North of England, or an abandoned building in Berlin.
I wanted to know more. So instead of taking the easy option and asking Google, I took the time to ask the band themselves. Don’t ask me why, I’m no journalist or writer, but I felt compelled to learn more about the Northern British-sounding band from São Paulo, Brazil.
So, in the words of Yury & Julia of Firefriend, I’ll let them tell the story of how the band came to be. I asked how the band came about, and what influenced them, all the way over in Brazil.
Yury: "My parents were hippies here in São Paulo back in the '70s. I grew up immersed in the heady scents of incense & weed, listening to Jimi Hendrix, The Stones, Pink Floyd, Beatles, and Led Zeppelin a lot, since year zero. Then a friend of mine went to London in the '80s and brought back albums from the likes of Joy Division, Sex Pistols, Jesus And Mary Chain, and those records blew my mind.
All these sounds combined were groundbreaking and definitely mind-bending for kids in all corners of the world—those records were like messages from another galaxy to me. It’s fascinating how they make you see reality through another prism.
I bought my first guitar just after I got my hands on a mixtape of The Velvet Underground & Nico. That changed my life forever. I bet this is the history of thousands of teenagers living elsewhere on this planet. We start recognizing each other, and suddenly we are at someone’s house jamming pretty loud and talking about shows and bands. Then there’s an underground scene going on, first with xerox zines and then websites documenting the pulse of our musical community.
It was like that back then as it’s still like that today. There are hundreds of bands messing around here."*
Julia:"Music has been part of my life since I was a kid, I have always needed music to deal with my life. I enjoy the energy of rock ’n’ roll and always looked for sounds that make my mind travel. This could come from any genre or style; it depends only on how you feel at that particular moment, how open you are to the sounds."
So, how does this translate into European tours and success in the USA & Australia? Not even Yury is sure.
Yury: "Surprisingly, it was easier to get noticed & heard outside of Brazil. All reviews and interviews we got after our last album came from Europe, the United States, and even Australia.
Now, there must be a lot of reasons for that, but I’m not sure why yet. We’ll play in the UK, France, Denmark, and Germany in September—let’s see if we’re going to learn why it’s happening this way!"*
Pretty sure the reason their music has spread across the continents is because great music is great music—wherever it comes from!
I asked about the latest Firefriend album Sulfur, the band’s 9th physical release, and how the band maintains their motivation and fresh sounds.
Julia: "I love to try new ideas. Experimentation is an endless joy. Sometimes it feels like I’m entering new territories using new gear, new effects—it opens our sensibilities to new textures and melodies. That’s my way to keep doing new things."
Yury: "Noise and melodies—if you push them out of the genre’s tradition and into the contemporary landscape, you get a really enticing monster to behold. That’s an adventure we dig; it helps us feel alive, it helps us build connections with people from every corner. It’s a dialogue that helps us to learn more about who we are. Every piece we read, watch, hear, every person we meet—there are multiple sources of meaning spinning in this astonishing swirl. Give them a structure, a shape, and then you have something you can stand on."*
A more personal question I put to the band was the reason behind making music and why they feel compelled to make it.
Yury: "I need music to fill out the void of existence—the 21st century’s so mad. Truth is dead, god is dead, war is everywhere. Industrial trash is everywhere—in the sea, the air, our food, and the natural world. Advertising keeps confusing everybody with its fake smiles—music is where one can breathe at last. So I need music to live here on this planet. We all need art; life is more than debts and TV shows. Art & music change our minds and cells, and suddenly we are there answering with more music, our music—to feed that fire, to keep it burning."*
Julia: "It’s a release—and being able to make the kind of music you want to hear, that makes me happy!"
Back to the reason I got intrigued by the band in the first place, Julia & Yury give me their feelings on the album Sulfur.
Julia: "Close your eyes and let it take you somewhere else."
Yury: "It tastes like the 21st century—visceral & dark."
Here’s the latest song to be crafted by Firefriend, Surface To Air, available from the 27th of July from the band's Bandcamp site.
I would like to thank Yury & Julia for taking the time out to give me a brief insight into the band and how a shoegaze/psych band came about in São Paulo, Brazil.
Many thanks to Yury’s friend for buying the records and taking them all the way back to São Paulo.
Manchester. London. New York. Berlin. All cities that we associate with having rich and varied musical histories and influences. They are all cultural melting pots of cities that have spawned some of the greatest bands of all time.
As a lover of the kind of music that is never going to be called mainstream, I stumbled across a band going by the name of Firefriend. As I listened to their music, I heard the typical influences, the likes of Joy Division, The Sex Pistols, Velvet Underground & The Jesus And Mary Chain. Nothing out of the ordinary there, I thought. Great band, cool sounds.
I became a little more interested, as you do, and found the band hailed from São Paulo, Brazil of all places. This is where my mind struggled somewhat. Brazil. I ask anyone to give me an image of the country and it will be Copacabana Beach, the Amazon, the 1970 World Cup team (best team ever to take to a football pitch!), the Samba, or Christ the Redeemer. Even the favelas. Not a brand of shoegaze psych that sounds like it came from a disused factory in the North of England, or an abandoned building in Berlin.
I wanted to know more. So instead of taking the easy option and asking Google, I took the time to ask the band themselves. Don’t ask me why, I’m no journalist or writer, but I felt compelled to learn more about the Northern British-sounding band from São Paulo, Brazil.
So, in the words of Yury & Julia of Firefriend, I’ll let them tell the story of how the band came to be. I asked how the band came about, and what influenced them, all the way over in Brazil.
Yury: "My parents were hippies here in São Paulo back in the '70s. I grew up immersed in the heady scents of incense & weed, listening to Jimi Hendrix, The Stones, Pink Floyd, Beatles, and Led Zeppelin a lot, since year zero. Then a friend of mine went to London in the '80s and brought back albums from the likes of Joy Division, Sex Pistols, Jesus And Mary Chain, and those records blew my mind.
All these sounds combined were groundbreaking and definitely mind-bending for kids in all corners of the world—those records were like messages from another galaxy to me. It’s fascinating how they make you see reality through another prism.
I bought my first guitar just after I got my hands on a mixtape of The Velvet Underground & Nico. That changed my life forever. I bet this is the history of thousands of teenagers living elsewhere on this planet. We start recognizing each other, and suddenly we are at someone’s house jamming pretty loud and talking about shows and bands. Then there’s an underground scene going on, first with xerox zines and then websites documenting the pulse of our musical community.
It was like that back then as it’s still like that today. There are hundreds of bands messing around here."*
Julia:"Music has been part of my life since I was a kid, I have always needed music to deal with my life. I enjoy the energy of rock ’n’ roll and always looked for sounds that make my mind travel. This could come from any genre or style; it depends only on how you feel at that particular moment, how open you are to the sounds."
So, how does this translate into European tours and success in the USA & Australia? Not even Yury is sure.
Yury: "Surprisingly, it was easier to get noticed & heard outside of Brazil. All reviews and interviews we got after our last album came from Europe, the United States, and even Australia.
Now, there must be a lot of reasons for that, but I’m not sure why yet. We’ll play in the UK, France, Denmark, and Germany in September—let’s see if we’re going to learn why it’s happening this way!"*
Pretty sure the reason their music has spread across the continents is because great music is great music—wherever it comes from!
I asked about the latest Firefriend album Sulfur, the band’s 9th physical release, and how the band maintains their motivation and fresh sounds.
Julia: "I love to try new ideas. Experimentation is an endless joy. Sometimes it feels like I’m entering new territories using new gear, new effects—it opens our sensibilities to new textures and melodies. That’s my way to keep doing new things."
Yury: "Noise and melodies—if you push them out of the genre’s tradition and into the contemporary landscape, you get a really enticing monster to behold. That’s an adventure we dig; it helps us feel alive, it helps us build connections with people from every corner. It’s a dialogue that helps us to learn more about who we are. Every piece we read, watch, hear, every person we meet—there are multiple sources of meaning spinning in this astonishing swirl. Give them a structure, a shape, and then you have something you can stand on."*
A more personal question I put to the band was the reason behind making music and why they feel compelled to make it.
Yury: "I need music to fill out the void of existence—the 21st century’s so mad. Truth is dead, god is dead, war is everywhere. Industrial trash is everywhere—in the sea, the air, our food, and the natural world. Advertising keeps confusing everybody with its fake smiles—music is where one can breathe at last. So I need music to live here on this planet. We all need art; life is more than debts and TV shows. Art & music change our minds and cells, and suddenly we are there answering with more music, our music—to feed that fire, to keep it burning."*
Julia: "It’s a release—and being able to make the kind of music you want to hear, that makes me happy!"
Back to the reason I got intrigued by the band in the first place, Julia & Yury give me their feelings on the album Sulfur.
Julia: "Close your eyes and let it take you somewhere else."
Yury: "It tastes like the 21st century—visceral & dark."
Here’s the latest song to be crafted by Firefriend, Surface To Air, available from the 27th of July from the band's Bandcamp site.
I would like to thank Yury & Julia for taking the time out to give me a brief insight into the band and how a shoegaze/psych band came about in São Paulo, Brazil.
Many thanks to Yury’s friend for buying the records and taking them all the way back to São Paulo.
